Category Archives: Culture Shock

Ten! Years!

I have trouble believing it myself, but this week marks the tenth anniversary of my starting Someone Else’s Movie — which is ridiculous, right?

But here we are, and for this very special episode I’m joined by Felix-Antoine Duval, a brilliant young actor who just won the TFCA’s award for Outstanding Performance in a Canadian Film for his role in Sophie Deraspe’s excellent Shepherds. (After premiering at TIFF last fall and returning for a Canada’s Top Ten screening in February, it’s back at the Lightbox right now in regular release.)

And Felix picked another recent Canadian knockout, Pascal Plante’s disquieting psychological thriller Red Rooms, which stars Juliette Gariepy as a young woman who spends her days attending a murder trial in Montreal and her nights online, doing … stuff. We don’t exactly spoil it in our conversation, because I don’t think you can spoil what Plante and Gariepy (and Laurie Babin, and Max McCabe-Lokos) accomplish with this movie … but you haven’t seen the film, please seek it out before you listen.

Suitably intrigued? Join the celebration! Subscribe to the show on AppleSpotifyYouTube Podcasts or your podcatcher of choice, or download the episode directly from the web and listen to it while you sit quietly in court, waiting for your moment.

And then you can catch up to last week’s Shiny Things, which was just one edition about Paramount’s new 4K release of Gladiator II — a stunning presentation of a very hollow film. There’s a lot more coming down the pike, though, so please subscribe if you haven’t already.

Oh, and I’m doing stuff in public this week! On Saturday the 15th I’ll be at Toronto Comicon for an edition of Aaron Reynolds’ Bootleg Safari panel, trying to determine the best and worst knockoffs of Alien; it’s at 6 pm in Theatre 2, come watch me talk about secret genre treasures with the man who makes birds swear about politics. (Where does XTRO fit in? Take a guess!)

And Tuesday, March 18th, is the next edition of TIFF’s Secret Movie Club, where once again I’ll be presenting the Toronto premiere of an upcoming picture that we think is quite good. You should come! It’d be great to see you.

What’s the Buzz? (Book II)

You know Atom Egoyan, right? Double Oscar nominee for The Sweet Hereafter,  sure, but I’ll still make the case for his prior film, Exotica, as one of the best films to ever come out of this country.

Anyway, I programmed Atom’s latest feature Seven Veils at TIFF 2023, and now that it’s finally opening across Canada on Friday, I finally bagged him for an episode of Someone Else’s Movie.

And we knew exactly what film he’d tackle: Jesus Christ Superstar, Norman Jewison’s 1973 screen adaptation of Andrew Lloyd Webber and Tim Rice’s concept album turned stage show. Atom had brought it up at our Canada’s Top Ten Q&A for Seven Lives last year, in tribute to Jewison, and even sung a few bars of it for the audience. He’s a little more restrained this time around, which is a shame. He knows his stuff.

And yes, Cara Gee tackled the film in the first year of SEMcast, but given that a full decade has passed I figured Atom’s take would be different enough to warrant doubling up.

You decide! Subscribe to the show on AppleSpotifyYouTube Podcasts or your podcatcher of choice, or download the episode directly from the web and listen to it on the drive out to the desert.

And then you can get caught up on Shiny Things! Last week I wrote about the new releases of Paramount’s September 5 and Sony’s Venom: The Last Dance and Warner’s terrific 4K restorations of Amadeus and Constantine; of course, if you’re a subscriber you already know this! (And if you’re not a subscriber there’s an easy fix for that.)

Also, if you’re in Toronto and excited about the 20th anniversary edition of the Toronto Sketch Comedy Festival kicking off this week, my latest piece for Toronto Today may be of interest. Enjoy it!

Fix Your Hearts or Die

David Lynch died last Thursday. I wrote a little about him over at Shiny Things, but there wasn’t much to say that hadn’t been said by so many other people. Universally beloved and respected, consistently weird, able to alienate a cinema full of retired dentists and their wives in the space of three hours — honestly, what better way to be remembered?

So this week’s episode of Someone Else’s Movie pays the tiniest of tributes to him, bringing back Rick Roberts‘ September 2017 episode on Eraserhead. It’s a celebration of the film, of course, but it’s also conversation about an artist discovering another way to make art, and the cracks that can open when you least expect them. So yeah, it’s hopeful. I like that.

You can find the show in all the usual places:  AppleSpotifyYouTube Podcasts, your podcatcher of choice … or you can download the episode directly from the web and play it loud to drown out the cries of that weird baby in the next room. Assuming it is a baby, of course.

And then, get on board with Shiny Things! In addition to Lynch, last week I wrote about Criterion’s new 4K editions of The Mother and the Whore and Jo Jo Dancer, Your Life Is Calling — two auterist knockouts I never thought would be rescued from limbo — and Arrow’s new 4K limited edition of Inglourious Basterds, which, meh. Subscribe now if you haven’t already so you don’t miss the next thing!

The Haunted

You have likely never heard of Conor McPherson’s The Eclipse. And that’s okay; it was barely released on this side of the Atlantic, and never really found a larger audience on VOD or disc.

But those of us who have seen McPherson’s claustrophobic study of an Irish widower (Ciaran Hinds) who starts seeing ghosts have never been able to shake it.

I’m one of them, and so is Chris Nash, my guest on this week’s episode of Someone Else’s Movie. And while Chris was a little worried he wouldn’t have enough to say about the film — especially as it relates to his own first feature, the fairly brilliant revisionist slasher movie In a Violent Nature — he found his stride quickly enough, because when you’re talking about something you love you never run out of words. That’s the thing I love the most about the podcast, honestly.

So go give it a listen, and then go find The Eclipse. And see Chris’ movie as well, because what he achieves there is easily as interesting as what McPherson did in his film.

You can find the podcast at the usual locations — Apple PodcastsGoogle PlaySpotify — or download the episode directly from the web and listen to it while you zone out as a blowhard author talks about himself for hours on end.

And then maybe catch up on Shiny Things, because I did quite a lot of writing over the last week, starting with the duelling releases of Denis Villeneuve’s Dune: Part Two and David Lynch’s original-formula Dune, and then tackling new editions of Del Toro’s Crimson Peak, Proyas’ The Crow, the Chiodos’ Killer Klowns from Outer Space and Schrader’s Affliction. And there’s more to come, I swear. Have you subscribed? Please subscribe, it makes me feel less alone.

Oh, and if you’re reading this on Wednesday the 29th, there might still be tickets left for my conversation with Emma Seligman for the Toronto Teen Film Festival.  I know, I know. I am old. But festival founder Dafna Winer asked me to sit down for an hour with the director of Shiva Baby and Bottoms to talk about her signature brand of anxious comedy, and honestly there’s nothing else I’d rather do. We hit the stage at 5:30 pm, it’s just $10, and at the time of this writing there were like fifteen tickets left. It’ll be fun! Come down!

Hell, Yeah

First things first: Wynonna Earp is back!

That show I love, made by some really swell people, kicks off its fourth season Sunday night after two years in limbo, and  I’ve seen the first two episodes and they’re great and I can’t wait for more as soon as they finish shooting them.

But wait! How are they making television in a plague year? Well, that’s the subject of today’s NOW What podcast, which features Melanie Scrofano bringing me up to speed about culture shock and COVID protocols on the Wynonna set in Calgary. She’s the best, do give it a ilsten.

And if you’re looking for stuff to watch before Sunday night comes around, there’s a new season of Street Food on Netflix, which I reviewed here. And NOW’s handy VOD calendar is packed with options, and even includes a capsule review of Romola Garai’s directorial debut Amulet, which I thought was pretty decent and has enough supernatural creepery to maybe tee up some Earping later in the day.

That’s everything for now. Have a nice weekend! Stay hydrated, it’s gonna be a blast furnace out there.

Parenthood

Every now and then I start a conversation with strangers and end up making new friends.

That’s the way it went with this week’s episode of Someone Else’s Movie, where I ended up bonding with the absolutely lovely Nancy Kelly and Kenji Yamamoto over Jean-Pierre and Luc Dardenne’s L’Enfant.

In addition to being very talented filmmakers — which people can finally see for themselves, now that their 1991 drama Thousand Pieces of Gold has been restored and reissued after decades in obscurity — they’re also just delightful people, and their insights into the Dardennes’ masterwork will make you feel optimistic about humanity. And honestly, we really need that right now.

Check it out! Subscribe on Apple PodcastsGoogle Play and Stitcher and get the episode immediately, or download it directly from the web. And then watch Thousand Pieces of Gold. It’s very good.

… and yes, I know I’ve fallen way behind on the updates. So here’s what I’ve achieved in the last week:

Christ, I’m tired.

Way Down in the Hole

Well, it finally happened: I had to record an episode of Someone Else’s Movie over the phone.

It wasn’t anybody’s fault. Zoom was having an off-day, so Keir Gilchrist now sounds like he’s calling into a radio station from the year 1995. But weirdly enough, it kind of works for the episode, since we’re talking about a movie that reaches seriously into the past: Cave of Forgotten Dreams, Werner Herzog’s 3D exploration of the Chauvet Cave in France, and the ancient paintings  discovered within. 

Herzog being Herzog, the movie finds rapture in archaeology while also noticing the weird stuff in the corners … which gives us plenty to talk about.

Wanna listen? Why not?  Subscribe on Apple PodcastsGoogle Play and Stitcher and get the episode immediately, or download it directly from the web. Sorry about the fuzz.

Oh, and there are two new episode of the NOW What podcast ready to jam into your ear-holes right now! My Hot Docs interview with Lulu Wei, director of There’s No Place Like This Place, Anyplace dropped on Sunday, and today’s episode finds Enzo DiMatteo interviewing placemaker Jay Pitter about public spaces and who gets to use them in a time of self-isolation.

What’s a placemaker, you ask? Listen and find out!

At Home By Myself, With You

The whole world is on lockdown, but I’m keeping busy: Writing streaming galleries for NOW including this overview of what’s on CBC Gemthe latest installment of Shut-In Cinema and a review of the only new movie “opening” this weekend, Lorcan Finnegan’s high-concept thriller Vivarium.

But I’ve also been making another thing, which finally made it out into the world today: NOW’s brand-new podcast NOW WHAT, a show about how individual Torontonians are coping with life in the age of COVID-19. We’ve had some minor issues with the RSS feed, but you can stream the first episode on Spotify or just listen right here if you can’t see it in Apple Podcasts or Stitcher. It’s good! You should listen!

And if you’re too busy to do that right now, don’t worry. You’ll have time.

The Long Decade Closes

NOW’s great big End of the Decade package is out, and in it you will find me contributing several things to our list of 50 key events that defined Toronto. It was an honor to write about Jack Layton’s death, a little less of one to write about Rob Ford’s life.

I also ran down the best films of the decade, which I remind you is an entirely subjective list and you should like what you like and nothing matters anyhow because we’ll all be dead someday. But seriously, if you missed The Disappearance of Eleanor Rigby you really ought to catch up to that.

Oh! And we built a list of the Best Toronto Movies of the Decade, too. People love lists. I guess I have to accept that.

Also, I forgot to post links to our December roundups for Netflix, Amazon and Crave, so here they are. Sorry!