Last week’s episode fell apart at the very last second — sorry to leave you all hanging, by the way — but Someone Else’s Movie is up and running today with a really fun conversation.

That’s because my guest is Oscar and Emmy nominee Hubert Davis, who’s releasing two dramatic features this year: This Friday,  his dystopian drama The Well opens in Toronto and Montreal before rolling out across the country, and this spring we’ll it’ll be followed by his remake of Youngblood, which premiered at TIFF last fall. Hubert’s a lovely guy with a wide range of interests, and he wanted to talk about Tony Scott’s Top Gun.

Yep, Top Gun. The super-slick, magic-hour Reagan-era blockbuster that defined American commercial cinema for the next decade, and Tom Cruise for a lot longer than that; the movie that reimagines An Officer and a Gentleman through a John Hughes lens, sort of, and somehow managed to launch the careers of a dozen young actors. The one that brings the MTV sensibility of Flashdance and Footloose to the Navy. Forty years after its arrival, it still has a pretty massive footprint, and Hubert was excited to explore its themes, its legacy and what it did for — and to — Tom Cruise.

So suit up! Subscribe to the show on Apple, Spotify, YouTube Podcasts or your podcatcher of choice, or just download the episode directly from the web and listen while you sit in the ready room, waiting for the green light to engage The Enemy.

And then you can get caught up on Shiny Things, which also got off to a slow start this year due to everyone else’s release schedules. Last week I covered Lionsgate’s 4K release of Hearts of Darkness: A Filmmaker’s Apocalypse, speaking of war movies, and Sony’s new 4K edition of Thunderheart, which of course stars Top Gun‘s Iceman, Val Kilmer. And there’s a slew of new releases to dig into this week, so if you’re not already a subscriber you should get on board right away. Membership has its privileges, after all.