Not The Worst Weekend

Every year around this time, we are reminded that the last weekend in August is cinema’s equivalent of The Bad Place, with studios dumping their garbage because no one goes to the movies over Labour Day. But The Happytime Murders and Little Italy came out last week, so the worst is actually behind us! Hooray!

Anyway, here’s what’s opening. Longer version is online at NOW.

Cardinals: Mom’s out of prison. Daughters deal. [Susan]

Far from the Tree: “Ordinary” parents raise “different” children. Extraordinarily.

Juliet, Naked: Hawke, Byrne, Hornby. Could be worse  [Rad]

Kin: It’s Laserblast without the aliens, right?

The Little Stranger: Creepy old house hides secrets, lies.

Searching: John Cho hits SEND, looks worried.

Trench 11: Holy crap! WWI had rage zombies!

Oh, and I did a fun thing about the various Jack Ryans over the decades, up to and including John Krasinski.  Enjoy it, and then watch The Hunt for Red October again because you know you want to.

All TIFF, All The Time: 2018 Edition

Oh, hello! I didn’t see you there, probably because I’ve been buried under TIFF stuff for the last couple of weeks in service of NOW’s great big festival preview issue, which hits the stands today and features Glenn’s excellent look at Patricia Rozema’s Mouthpiece. (Don’t worry, I’ve got next week’s cover. It’s a good one.)

There’s also a whack of reviews, and a whole mess of ten-to-see listicles; I contributed the pieces on Canadian featuresCanadian shorts, and genre films. If something seems conspicuously absent, it’s probably because I’ve reviewed it elsewhere in the pullout.

So have at it! The festival starts in a week! Oh, and Fan Expo starts today; I wrote a list of things to do there too. I’m heloful that way.

Love Is.

This week’s episode of Someone Else’s Movie comes with a content warning for sexually explicit conversation.

But it’s cool. We’re all grown-ups here. And my guest, actor and filmmaker Grace Glowicki — who co-stars with friend of the show Katie Boland in Cardinals, which opens this Friday at the Lightbox, and who’ll be back at TIFF in September with Roney’s short film Glitter’s Wild Women — has chosen a movie that requires some semblance of maturity: Gaspar Noe’s Love, the movie that kinda-sorta scandalized Cannes with its 3D boning, but which might be the director’s first film to deal with real emotions. Grace makes a pretty good case for this, at any rate.

Subscribe to the show on Apple PodcastsGoogle Play,  Stitcher, listen on Spotify or just download the episode directly from the web. And don’t worry if you blush at one point or another. That’s what being human is all about.

It Goes To Eleven

This week is going to kill me. Not only are we closing our TIFF preview issue today, but there are almost a dozen movies opening in town — which you can read about at NOW or in six-word summaries below.

The Bookshop: Woman opens bookshop, community leaders froth. [Glenn]

Breath: Simon Baker’s directorial debut! About surfing!

Crown and Anchor: Collision-course crime drama, very intense.

The Happytime Murders: This should have been way better.

Little Italy: Worst thing you’ll see this week.

Madeline’s Madeline: Best thing you’ll see this week.*

1945: Hungarian Holocaust drama about guilt, complicity.

Papillon: Hunnam and Malek remake 70s classic.

Support the Girls: Bujalski’s latest is rich and funny.

We The Animals: A boy’s life, rendered most artfully.

What Keeps You Alive: Survival thriller is short on plot. [fixed!]

 

*unless you go see 2001: A Space Odyssey in IMAX 70mm at the Cinesphere, in which case all bets are off

Bigger, Longer and Uncut

In this week’s Superhero Nonsense! column, I take a look at the extended cut of Deadpool 2  included as a bonus on the 4K and Blu-ray discs that came out yesterday. It’s … well, it’s more of Deadpool 2, you know?

I also wrote a thing about TIFF’s latest round of announcements, which at this point have become an endless wave of promotion from which there is no escape but death. How’ve you been doing?

The Ultimate Trip

This is the first episode of Someone Else’s Movie since I turned fifty, so I thought it might be nice to feature a film that’s the same age. And movies from 1968 don’t stand any taller than 2001: A Space Odyssey.

Tackling Stanley Kubrick’s masterwork with me is Barry Stevens, a documentary filmmaker who’s been thinking about the movie at least as long as I have — when he’s not working on his own stuff, anyway.

It’s a good, long conversation, with room for a consideration of genre films that followed in 2001‘s wake and a few other tangents. I think you’ll like it. I certainly did.

Subscribe to the show on Apple PodcastsGoogle Play,  Stitcher, listen on Spotify or just download the episode directly from the web. Make the voyage.

There Is Good, There Is Bad

It’ s Friday! Movies are everywhere! You can read about ’em over at NOW or stay here for the six-word game. Totally up to you.

Alpha: Man meets wolf. Man invents dog.

Ballet Now: High-stakes dance in Los Angeles.

Crazy Rich Asians: Kevin Kwan’s book becomes a party. [Glenn & Michelle]

Maison du Bonheur: A gentle look at old age.

Mile 22: More brawny bullshit from the WahlBergs.

Never Saw It ComingFargo in northern Ontario. Sort of.

Nico 1988: Life in the shadow of fame. [Rad]

Skate Kitchen: Life in the moment. On wheels.

Oh, and I also wrote about Matt Groening’s new Netflix series Disenchantment, which is … not good. But now you don’t have to!

50

Yes, 50. We shall not speak of this further.

Instead, let us celebrate tonight’s Heat Wave presentation of Jaws at the Revue, which is the subject of this week’s NOW screening spotlight and a movie you should absolutely see on the big screen if you can.

And then go read this week’s edition of Superhero Nonsense! if you want to know more about the backlash to the casting of Ruby Rose as Batwoman, or the extras on Disney’s Infinity War Blu-ray. It’s been a while since I wrote a DVD review; that was nice.

It’s hot out today. Make sure you hydrate.

Perfect Strangers

On this week’s episode of Someone Else’s Movie, I’m joined by actress and writer Tamara Podemski, whom you may know from the beloved ’90s show Ready Or Not, the more recent feature The Lesser Blessed and a dozen  other things including Dance Me Outside and Four Sheets to the Wind.

This week, she’s in Gail Harvey’s not-exactly-a-thriller Never Saw It Coming, playing a friendly police detective who complicates an already frantic day for Emily Hampshire’s phony psychic. And I was more than happy to get her on the show, especially when I heard she wanted to talk about The Band’s Visit, Eran Kolirin’s charming 2007 fable about a group of Egyptian policemen stranded for a day and a night in an Israeli village.

We didn’t get to talk about Ronit Elkabetz as much as we should have — time was tight — but other than that, it’s a pretty satisfying conversation. You should listen in!

You know how, right? Subscribe to the show on Apple PodcastsGoogle PlayStitcher, listen on Spotify or download the episode directly from the web. And enjoy. That’s what it’s for.